This review was originally Posted on Boston and Beyond/Art & Entertainment. It has been said that, "blood is thicker than water," but not with the seemingly genteel, Southern Hubbard family. States Addie, the black maid in Regina's household, “Well, there are people who eat the earth and eat all the people on it like in the Bible with the locusts. Then there are
We asked all of our directors this season the question "why?" Here are the answers from the director of our upcoming show, The Little Foxes! Why The Little Foxes? "Lillian Hellman was America's first great female playwright, a feminist pioneer, and a moral force. Her work deserves to be seen, celebrated, and reconsidered. And it's just a damn good story." Why
June 19, 2017 Written by Sarah Rebell When I set out to write a piece on The Little Foxes, I headed right to the Drama Book Shop in New York City, to browse and research all things Lillian Hellman. Shockingly, there were no biographies of her in stock or on order. She was not even included in the Drama Book Shop’s most
We sat down with Director A. Nora Long to learn what makes The Wolves one of the most impressive new plays in recent years! Why is this play important? There are few groups as universally-maligned as teenage girls. The vast majority of our pop culture representations portray them as vain, shallow, cruel, and vapid. Delappe affords us a nuanced, funny, thoughtful insight into
On Sunday December 9th and 23rd, Castle of our Skins, a concert and educational series that is dedicated to celebrating Black artistry through music, will present a tribute to Roland Hayes here at Lyric Stage. The celebration will include spiritual and art songs that were championed by Hayes and world premiere work that was created with youth in Boston. A
We sat down with Spiro to learn more about why he chose to direct The Roommate this season! Why this play? Jen Silverman is an amazing writer and this play seemed right for us. I also get to work with some of the wealth of women actors (of a certain age) here in Boston. Why the Lyric Stage?It’s my home and
The cast just got a first look at the set of The Roommate. Enjoy this sneak preview! Scenic design by Jenna McFarland Lord. The Roommate opens October 19th Sharon, middle-aged and recently divorced, needs a roommate to share her Iowa home. Robyn needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn’s secrets while sharing music,
Kiss of the Spider Woman director Rachel Bertone has a history of taking incredible musicals and turning them into unmissable experiences. Here are just a few of our favorites! Kimberly Fife, Katrina Pavao, Phil Tayler, Joy Clark and Caroline Workman in Cabaret. Photo by Sharman Altshuler. From DigBoston's Review of Moonbox's production of Cabaret: Taking on iconic material is always a risky
We sat down with Kiss of the Spider Woman Director Rachel Bertone for the first installment of our new series: Why3, a directorial take on why this production is important, why it should be performed at the Lyric Stage, and why we should see it now. Why this play? We need to see more representation of queer people of color
The Lyric Stage Company of Boston’s Producing Artistic Director, Spiro Veloudos, Managing Director, Matt Chapuran, and its Board of Directors today announced that they have named Courtney O’Connor as the company’s new Associate Artistic Director. She assumed her full-time duties at the Lyric Stage on July 9, 2018 Spiro Veloudos commented on Courtney’s appointment: “Courtney and I have been friends for some time (it’s been so long, I don't event want to say). She has directed a number of plays at the Lyric Stage and throughout Boston, and was my associate director for our production of Nicholas Nickleby, parts 1 & 2. With 75 applications for this position, the choice was anything but easy. But Courtney’s background in theatre production, administration, and education made her the logical choice.” Matt Chapuran added: “I fondly recall Courtney's production of Sin at the Coyote Theatre, produced back when we were all much younger. She's lost none of her vibrancy and wit, and shares our commitment to local talent.” And Courtney O’Connor wrote: “The Lyric Stage has been an artistic home to me as a director here in Boston — a place that has challenged and supported me like no other. And as I have grown during that time, the Lyric Stage has also grown and expanded greatly. With their new programs and partnerships, the continuing deep commitment to supporting local artists, and the dedicated and vibrant staff, the Lyric Stage is an invigorating and thriving company. I am thrilled to be joining in this new role, and look forward to discovering what we can create as we grow together.”